The Kingdom and the Power

By Tom Chesek

April 13, 2009

RedBankOrbit.com




It’s Theater Week here in Red Bank oRBit! Actually, it just sort of worked out that way, as the coming days see the openings of no less than five new productions in the area — some professional and some proudly community; some serious and some silly; some popular revivals and some premieres — and all of them worth checking out for their own reasons.

When we first met up with the ReVision Theatre Company last year in oRBit, the newly established professional stage company in Asbury Park was in the process of transforming the seaside albatross Carousel building into a viable venue for live performance (for last summer’s successful run of Hair), while setting up offices, workshop and rehearsal space inside the city’s venerable VFW Post 1333 on 701 Lake Avenue at Bond Street.

When we looked in on them back in December, ReVision’s triad of Producing Artistic Directors (Thomas Morrissey, David Leidholdt and Stephen Bishop Seely) had turned the VFW’s amply scaled Bingo hall into a working playhouse for Scrooge in Rouge, a colorfully daffy parody of a vintage English music-hall barnstormer.

ReVision returns for anther go-round at the Carousel this August with The Full Monty, and in July they’ll spotlight Steven Brinberg’s uncanny Streisand portrayal in a benefit performance of Funny Girl, the show that catapulted Babs to stardom. But one production here in ReVision’s first full season sticks out against the otherwise light and lively slate of offerings — and that’s Kingdom.

Described as a “Latin Hip Hop musical” study of two friends from the barrio whose need to belong — in this case, to the Nation of the Latin Kings — tears them apart, the show by Aaron Jafferis and Ian Williams previews this Thursday at 8pm, opens this Friday, April 17 and runs through May 3 at the VFW Theatre.

This is an East Coast premiere of a work that’s only recently been fully staged in San Diego — and the cast is headed up by two veterans of the California production, Christian Amaraut and Miguel Jarquin-Moreland, whose respective roles as Juan and Andres saw their origins in true stories of current and former Latin Kings. Carlos Armesto directs an all-Latino cast that further features Dell Howlett (Cano), Desiree Rodriguez (Marisa), Keith Antone (Hector), Jose Candleria (Danny), Erikamarie Rumore (Queen 1), Judah Gavra (King 2), and Chelsea Zeno (Queen 2). Andre Da Silva replaced David Del Rio as King 1 when Del Rio was cast in a Nickelodeon TV series. 

It’s a bold move for the ReVisionaries, with both an unknown quantity of a show and a subject matter that most communities would rather sweep under the sidewalk if they could. ReVision, however, took the opposite tack; hosting a Kingdom Kick-Off Party on March 6 that introduced and explained the show to the public, as well as a Kingdom Exploration Symposium on March 19, in which the show’s cast and crew joined a panel of gang experts in discussing the presence of gangs in Monmouth County, and the ways in which parents, teachers and community leaders can take action to prevent gang violence. Audiences are also being invited to take part in after-show forums that follow each performance.

After the jump, Red Bank oRBit speaks with director Armesto on the hows and whys of this much-anticipated show.


The cast of Kingdom includes (Back Row, L-R) Dell Howlett, David Del Rio (replaced by Andre Da Silva), Miguel Jarquin-Moreland, Desiree Rodriguez, Keith Antone, and Jose Candleria; (Front Row, L-R) Erikamarie Rumore, Christian Amaraut, and Chelsea Zeno. Absent on picture day: Judah Gavra. (Photo by Dennis Carroll)

RED BANK ORBIT: It seems that ReVision is working this show hard and they have a lot invested with it, but most of us know next to nothing about KINGDOM. What’s your take on it?
CARLOS ARMESTO: It’s a daring play, a play for people who don’t usually come to the theater — and it’s got a hip hop bounce to it, which we’re taking a little further. Mostly the score is either rapped or sung — in Spanish and in English.

The poster and advertising image makes it clear that this isn’t HELLO DOLLY we’re dealing with here.

It’s an intense image, appropriate to what we’re doing, since the subject matter is so intense. I wouldn’t call it a children’s play — the parental advisory is there for a reason.

But at the same time it is a musical; people break into song and dance, so how much of a challenge is it to put forth these dramatic themes in a genre that’s always been better suited to light comedy?
There is a harshness, a naturalistic energy in the show — but it’s also very stylized. A fight is not a fight; there’s no blood, and the movement is very choreographed. The set is pretty bare — mostly just a floor and door frames. The lighting, which is by Sean Lindsay Manuel, and how the actors move, are how we convey the ideas in the show.

What are you doing differently from the San Diego production?
It’s much more choreographed; we have a choreographer, Tiffany Rachelle Stewart, whereas in the past only one of the numbers had any choreography. There’s a formal element of movement to it now. And our two lead actors, Christian and Miguel, were both in the San Diego production. Not as Juan and Andres, but in supporting roles.

The show turns out to have a much larger cast than I expected it would.
It is a big cast, and we double up, triple up on some of the parts. But the gangs are about belonging to a crowd, having safety in numbers, and we have to get creative in creating crowds. There are times when the audience kind of plays the part of the crowd!

So how would you describe the dynamic between those two lead characters?
They’re two young guys in the barrio — and the city is not named; there’s a sense that this could happen anywhere. Juan’s mother has walked out on him, and Andres, who lives in the projects, basically says I’ll take care of you. They embark upon a journey to have a real brotherhood, and they meet up with the Latin Kings and get involved in this thing, which in real life is very organized.

They’re trying to be peaceful; trying to survive, dealing drugs for income. They’re surrounded with a lot of guns, a lot of levels of protection.

What kind of response did you guys get with the community outreach events that you scheduled?
Very encouraging. The kickoff event was attended by people from all sides of the tracks. The writer of the show said that success for us is community engagement; using that in creating solutions — and I think we have the beginnings of a dialogue going on. If the audience listens, if the community hears about this, then it can happen.

Sounds like the show strikes a hopeful note.
It is tragic in many ways; it’s about survival, and some Shakespearean sort of father-son themes. But there’s solace, and there is hope.

Tickets for Kingdom are $25 and $35 (with a special $15 rate for students and teachers) and can be reserved right here or by calling (732)455-3059. Further information is available on a special open captioning performance, as well as a Ticket Fund Campaign for teens who are unable to afford admission.

Three Kings

by Steven Froias TriCityNews
April 9, 2009

Here's another entry in my gay leaders series. Actually, this time around it's a trio of guys. Hey - threesomes are best!

You've already been introduced to Thomas Morrissey, Stephen Bishop Seely, and David E. Leidholdt, elsewhere in these pages in the past year. But in this column, I'd like to put their achievements and endeavors into a broader context. Because these three have swiftly assumed a leadership role in the artistic community, and they are poised to reach a new plateau next weekend when their ReVision Theatre company stages the East Coast premier of 'Kingdom" beginning next weekend.

Thomas, Stephen, and David launched ReVision Theatre here in Asbury Park over a year ago with the goal of integrating the company completely into the local community. They brought with them years of experience in theatre across the country, and more specifically from the East Village in New York City where they plied their trade for about a decade.

In choosing Asbury as their new home base, they knew what they were looking for - a community from which they could draw as well as bestow artistic inspiration. Towards that end they have mounted productions in some of the city's iconic structures, such as the Paramount Theatre and the Carousel building.

They'll be doing it again next weekend with "Kingdom" in another piece of history, the VFW building at 701 Lake Avenue. Indeed, by seizing the initiative and furthering the transformation of that building into a performing arts center, they have guaranteed themselves a place in the pantheon of movers and shakers in this town, along with the many others groups (not to mention Cmmdr. Lou Pirsisi) who have facilitated this exciting development.

In a short amount of time, Thomas Morrissey, Stephen Bishop Seely, and David E. Leidholdt have raised the cultural bar through their work with ReVision and their participation in the vibrant arts scene that Asbury Park is home too. Next weekend, though, they go for broke with a potentially history making production that could fulfill their destiny as a major professional, regional theatre company. And not coincidently, the fact that "Kingdom" is being produced here also raises the status of Asbury Park as cultural destination like no other.

Here's the back story: ReVision Theatre, as a professional, Equity-associated company, is part of the National Alliance for Musical Theatre. Once a year, they hold a Festival of New Musicals, works just at the stage of development where they warrant full productions,  just short of off-Broadway or Broadway. "Thoroughly Modern Millie,"  "The Drowsy Chaperone," and "Light in the Piazza"came to light via this route.

This year, "Kingdom" was one of those shows. But as is often the case with groundbreaking work, most theatre companies were too afraid to touch it. They were afraid that it would be impossible to market because of its theme.

"Kingdom" is a hip-hop musical. The subject matter is gang life. Other theatre companies were concerned that the term 'hip-hop' were alienate their traditional patrons, and that they also wouldn't be able to attract the younger crowd who could relate to its themes. You know - probably the same thing that was said about "West Side Story" some 50 years ago.

Only two theatre companies had the balls to snag "Kingdom" and take on the challenge of assuring loyal customers that yes, they were indeed going to see a musical, but also that yes, the boys in the hood could also find something to like up on the stage.

Those two companies were the world renowned Old Globe Theatre in San Diego, where "Kingdom" had its West Coast premier, and.

ReVision Theatre Company in Asbury Park, New Jersey where "Kingdom" will have its East Coast premier next weekend, beginning Thursday, April 16.

That's what makes these guys leaders. They move the ball forward. They inspire themselves as well as the broader community to reach higher. And they don't take the easy way out.

And as exemplified by "Kingdom," though they are of the gay community they are part of the broader community, leaders who build bridges between the many parts of a city or region and thereby strengthen the whole. As is the case with all such folks - gay or straight - they make up the unique fabric of the triCities and are indispensible to its success as a region.

So, be sure to get your tickets for "Kingdom" ASAP. As Thomas said to me, this important theatrical event is something that could have you saying years from now.

"I can't believe it happened in Asbury Park."

Believe it.

"Kingdom" will run from Thursday, April 16 through Sunday, May 3. You can purchase tickets online at ReVisionTheatre.org, Call 732-455-3059 or them in person at: Flying Saucers Retro Kitchenware, 658 Cookman Avenue (Shoppes at the Arcade - Lower Level); and Thurs, Fri, Sun & Mon 11 am to 5pm & Sat 11 am to 9 pm at The VFW Hall in Asbury Park - Theatre Box Office, 701 Lake Avenue (Entrance on Bond Street between Cookman and Lake Avenues. Monday thru Sunday 1pm to 6pm;open to 8pm on show days.

ReVision Theatre ReActs to Economic Recession: 3 shows for $92.50

January 12, 2009
FOR IMMEDIATE RELEASE

ReVision Theatre in Asbury Park Announces
WINTER SUBSCRIPTION SALE
THREE SHOWS FOR $92.50
50% OFF REGULAR SUBSCRIPTION PRICE
RVT HELPS PUT A FREEZE ON THE RECESSION
Limited Time Only!


Asbury Park, New Jersey – As a reaction to the state of the economy, ReVision Theatre announces their Winter Subscription Sale. New and current ReVision Theatre Members may purchase all three tickets to three great shows for only $92.50, which is 50% off the regular price. Winter Sale Subscribers will receive tickets to each of the remaining shows of the 2009 Season which includes the new hip hop rock musical, Kingdom (April 16-May 3), a one night only benefit performance of Steven Brinberg as Barbra Streisand in Funny Girl (July 11), and the blockbuster musical, The Full Monty (August 12-September 6). Subscriptions may be ordered online at www.ReVisionTheatre.org or by calling the ReVision Theatre Box office at 732-455-3059.

“We know that times are tough and we wanted to give people who have thought about coming to see a show the best opportunity to see all three of our exciting shows,” says Thomas Morrissey, one of the three Producing Artistic Directors (along with David E. Leidholdt and Stephen Bishop Seely). “This is a great deal! People can see all three shows and still pay less than a regular priced single ticket to our benefit performance of Funny Girl.”

A controversial new musical, Kingdom, is scheduled for ReVision Theatre’s next production this Spring. The music is by Ian Williams and the book and lyrics are by Aaron Jaferis. This hip hop rock musical is inspired by the true stories of current and former gang members of the Latin Kings. The show chronicles the journey of two kids from the barrio in a quest to belong and the power struggle that tears the two friends apart. The show will be performed April 16th through May 3rd at the VFW Theatre, 701 Lake Avenue in Asbury Park.

The Second Annual ReVision Theatre Benefit Concert is set for Saturday, July 11, 2009. This season, the one night only performance will star Steven Brinberg as Barbra Streisand in Funny Girl with a full cast of Broadway actors, singers, and dancers and a full live on-stage orchestra. Steven Brinberg, the premiere Barbra Streisand impressionist, will star in the lead role of Fanny Brice. This will be the first time in history that a man will play the female lead. This special performance will be directed and choreographed by Connor Gallagher and music directed by John Fischer.

The Broadway smash hit, The Full Monty will be the finale to ReVision Theatre’s season with performances August 12th through September 6th at the Historic Carousel House on the Boardwalk, 700 Ocean Avenue in Asbury Park. The story of unemployed steel workers frustrated with life, women, and work decide that regardless of looks or ability they are going to be the best male strippers anyone has ever seen. In the process they find renewed self-esteem, the importance of friendship and the ability to have fun. This show will be directed by one of ReVision Theatre’s Producing Artistic Directors, David E. Leidholdt.

ReVision Theatre is a non-profit 501(c)3 professional regional theatre company dedicated to producing invigorating theatre with a fresh new perspective reaching the diverse community of Asbury Park and Monmouth County. ReVision Theatre produces reinventions of previously produced classics, overlooked or forgotten work in a new way, and new work with a fresh voice. The company serves as a home for local artists and writers. ReVision Theatre also believes in the importance of theatre education and teaches children and adult theatre classes. ReVision Theatre produces readings, workshops, cabarets, concerts, and mainstage productions. ReVision Theatre’s 2008-2009 Season includes the new hip hop musical, Kingdom (April 16-May 3), a one night only benefit performance of Steven Brinberg as Barbra Streisand in Funny Girl (July 11), and the blockbuster musical, The Full Monty (August 12-September 6).

Visit www.RevisionTheatre.org or call 732-455-3059 for show calendars and more information.

CONTACT: Stephen Bishop Seely
Stephen@ReVisionTheatre.org
732-455-3059

ReVISIONIST HISTORY IN THE MAKING

by Tom Chesek
Red Bank Orbit

Steven Brinberg brings his uncanny and un-campy Streisand characterization back to Asbury Park, when ReVision Theatre Company presents a special performance of FUNNY GIRL.

Red Bank has the Two River Theater Company and its gleaming, glass-facade showplace of a home stage. Long Branch boasts the New Jersey Repertory Company, which works some pretty potent magic in its converted downtown storefront while they preparing for an eventual move to new custom-made digs.

There’s a third professional stage company headquartered in this neck of Monmouth County, and if you haven’t quite processed the name ReVision Theatre Company, don’t sweat it. The based-in-Asbury Park troupe is still really getting itself established, having set up shop in Asbury’s historic VFW building with a busy slate of classes, workshops and readings.

And when we say it’s “based in Asbury,” we do mean that its members use the whole city as their canvas; inhabiting historic halls, rejuvenated business buildings and long-vacant boardwalk structures like a bunch of wondrous hermit crabs.

These are the guys, after all, who famously teamed with boardwalk developers Madison Marquette to convert the amazing Carousel building into a viable venue for live performance — something it had never managed to be in its long history — when they mounted their smash revival of Hair: The American Tribal Love-Rock Musical last summer. And to think they almost considered moving to Paducah.

An actual season’s worth of entertainments was always on the drawing board for ReVision’s triad of Producing Artistic Directors (Thomas Morrissey, David Leidholdt and Stephen Bishop Seely; all veterans of Manhattan’s Genesius Theatre), and this past Saturday night, the partners and board president Bob Angelini convened a special season announcement party at Mattison Park Restaurant, itself a re-visioned bank building. Red Bank oRBit, as you probably figured, was on the scene, working the room and knocking back rootbeer martinis.

The cast of ReVision Theatre’s HAIR posed with the groundbreaking show’s co-creator James Rado, when he took in one of their sold-out performances last August.

Cast members of Hair were on hand, performing numbers from the 1967 show as well as from a couple of the new projects announced onstage by the producing partners. As Liedholdt, Morrissey and Seely revealed to the packed house, the ReVision company’s inaugural season begins in earnest on December 4, with the East Coast premiere of Scrooge in Rouge, a “British music hall Christmas Carol” that puts a manic spin on the well-roasted holiday chestnut.

In the comic piece conceived and adapted by book writer and lyricist Ricky Graham, a circa-1900 theatrical troupe is in the midst of preparations for their Christmas Carol show when seventeen of the twenty actors take ill — leaving three intrepid players to perform 23 Dickensian characters in what can only be described as a tour de farce. Presented at Asbury’s VFW Post 1333 on Lake Avenue and Bond Street, the show offers sixteen performances through December 28.

ReVision returns in 2009 with Kingdom, a “Hip Hop musical” study of two friends from the barrio whose need to belong — in this case, to the Nation of the Latin Kings — tears them apart. Featuring a score by Aaron Jafferis and Ian Williams, the show runs from April 16 to May 3 at the VFW building.

Last summer, the ReVision crew presented a one-shot fundraiser event at the historic Paramount Theatre; a revival of Hello Dolly! starring Carol Channing tribute artist Richard Skipper in the role made famous by Channing herself. “In the spirit of Dolly,” ReVision takes over the Paramount once again on July 11 for a benefit performance of the Jule Styne-Bob Merrill musical Funny Girl. Steven Brinberg, an actor-vocalist whose celebrated portrayal of Barbra Streisand has won him raves throughout the cabaret circuit (including Tim McLoone’s Supper Club) channels Babs as Fanny Brice in the show that made her a star.

Still coming together as we post this, ReVision’s summer-show production of The Full Monty comes to a location that’s yet to be determined, on the confirmed dates of August 12 through September 6. Acclaimed playwright Terrence McNally wrote the book to David Yazbek’s musicalization of the hit British film, in which a group of unemployed steelworkers find a new sense of purpose as male strippers. Doing this show in the round at the Carousel would make it the Full Monty and then some.

Info on single-ticket prices and subscription plans can be found right here. Watch Red Bank oRBit for updates; and we’ll let David Leidholdt have the last word.

“We have three specific challenges,” says the veteran director. “To find pieces that represent us, to develop shows that are able to be produced anywhere — and to get people off the beach and into the theatre!”

Celebrating diversity with 'Hair'

Asbury Park troupe stages alternate production to one in Central Park

Monday, August 18, 2008
BY PETER FILICHIA

To paraphrase a famous Cole Porter lyric, is it Granada he sees, or only Asbury Park?

Both, in fact. Thomas Morrissey feels that ReVision Theatre, the new troupe he's co-founded, is in the right place and time to benefit from Asbury Park's continued renaissance.

"And because we're in such a diverse community," he says, "we decided to put on the most diverse show we could: 'Hair.'"

The famous 1968 rock musical had already been announced for a summer engagement in New York City's Central Park before Morrissey and his partners, David E. Leidholdt and Stephen Bishop Seely, chose it.

In Asbury Park, the musical is being staged in the Carousel on the Boardwalk by Andy Goldberg, who had an off-Broadway hit with "The Bomb-ity of Errors." Scoop Slone, the lead singer of the rock band Maslow, stars.

The 54-year-old Morrissey and his co-artistic directors are expecting a great many Baby Boomers.

"We'd like it if people from Deal and Spring Lake would drop by, too," he says. "They embraced 'Hair' when they were young, for this was the generation that broke the rules and helped change the perception of the Vietnam War.

"But," he says, "these kids believed they had the answers, and we now know they weren't always right. Sex and drugs don't cure things. So 'Hair' offers the good and bad of the era."

It was quite a different musical that got Morrissey interested in theater.

"'My Fair Lady,'" he says. "My parents and I came to New York from Davenport, Iowa, when I was about 5. Pretty soon into it, I whispered to my parents, 'I want to do that when I grow up."

"That," however, didn't necessarily mean performing, though Morrissey did plenty of that in community theaters and children's stages in Iowa.

"When I did summer stock," he says, "I became more aware of what it takes to put on a show. So I watched the people who did lights and sound. I went to the box office and learned the system of ticket-selling. I checked out how the press agents wrote their press releases. It wasn't just about performing for me."

In the '80s, Morrissey worked as a house manager for two Greenwich Village theaters and became a member of the illustrious Circle Repertory Company.

"It got too entrenched in doing one specific kind of play," Morrissey says, "and then it seemed to be repeating itself. And that's why they closed down."

Morrissey responded in 1995, a year before Circle folded, by starting a company called the Genesius Guild, named for the patron saint of actors. It centered on developing new work. ReVision, though, will do new and old works, hoping to mount three next year in a space that will become a 300-seat theater.

A redevelopment company named Madison Marquette has greatly helped. "They rehabilitated the Paramount Theatre in town, and they gave it to us for a recent benefit. That went so well, they gave us some money to do 'Hair,' too."

So sure is Morrissey that ReVision will succeed that he's bought a home in Asbury Park, though he's keeping his Manhattan digs as well.

Only one question left, and Morrissey knows it's coming before it's asked. "Yes, of course, we'll do the famous nude scene."

Peter Filichia may be reached at pfilichia@starledger.com or (973) 392-5995.

Former Carousel House Now a Home for ‘Hair’ - New York Times

By GWEN OREL
Published: August 9, 2008



ASBURY PARK - THE Carousel House has been empty for years, but from Aug. 15 to 31, it will be filled with the sounds and sights of the Age of Aquarius. The recently restored building is the setting for “Hair,” the first fully staged production by the nonprofit ReVision Theater here.



ReVision’s founders, Tom Morrissey, David E. Leidholdt and Stephen Bishop Seely, came to know one another through the Genesius Theater Guild, based in Manhattan and started in 1995 by Mr. Morrissey, 52. ReVision became the new incarnation of Genesius this year. The three men, who share a house as well as the title of producing artistic director, moved to Asbury Park this spring.
They wanted to start a regional theater that could incubate work for Broadway, like the Barrington Stage Company in Massachusetts, where Mr. Leidholdt, 43, had worked as an associate producer. “We opened atlases, picking out cities,” said Mr. Seely, 35.



They sought a town that was developing, diverse and gay-friendly. Mr. Morrissey added: “All the other towns we looked at didn’t need us. We want to make an impact.”



The performance of “Hair” will be in the round; seats will be on risers and on floor cushions, with the cast performing on a platform and on three scaffolding towers. The director is Andy Goldberg, of “Bomb-itty of Errors,” the hip-hop Shakespearean play.



Built as part of the Casino entertainment complex on the Boardwalk, the Carousel House, which dates to 1929, had a carousel in place from about 1932 to 1990, according to Helen Chantal Pike, a historian and author of “Asbury Park’s Glory Days” (Rutgers University Press, 2005). Later occupants included a skateboard park and flea market.



According to Courtney Johnson, marketing director for the real estate company Madison Marquette, one of the owners of the Carousel House, it has been given a new roof and cupola, replacement glass and iron gates. Other performances and art exhibits will take place there in the future, she said.



ReVision’s plans include smaller shows during the year, a holiday show and summer musicals in a variety of places, with both new works and reimagined classics expected.



ReVision has a group, ReScript, that reads submitted plays and is run by Lou Liberatore, another Asbury Park resident. Mr. Liberatore also runs the Jersey Shore Writer’s Studio and was nominated for a Tony Award in 1988 for his featured role in Lanford Wilson’s “Burn This.”
ReVision’s three producers have other jobs: Mr. Leidholdt teaches at a summer theater camp in Manasquan and will be a producer for American Family Theater in Philadelphia in the fall. Mr. Morrissey teaches musical theater at Wagner College in Staten Island and at the American Musical and Dramatic Academy in New York. Mr. Seely tends bar in Asbury Park.



At a pool party fund-raiser for ReVision, George Hansel, the lighting designer for “Hair,” said he was happy to see the group in the city. A resident for 25 years — “I’m a townie,” he said — he runs a local performing arts company called the Black Box Theater. Noting that a lot of “carpetbagger” types have come through Asbury Park, he said, “ReVision fills a niche of quality.”
Besides, he added: “They pay everybody, which is rare.”



“Hair” runs from Aug. 15 to 31 at the Carousel House on the Boardwalk in Asbury Park, 700 Ocean Avenue at Asbury Avenue. Information: (732) 455-3059 or http://www.revisiontheatre.org/.








LET THE SUN SHINE IN Cast members of “Hair,” from left: Martin Gould Cummings, Julia Arazi, Mike Russo, Marah Meese and Spiro Galiatsatos. (David Hunsinger for The New York Times)

STAGE TROUPE FINDS A HOME IN ASBURY PARK

By TOM CHESEK • Correspondent • May 30, 2008 • Asbury Park Press

It's a classic Asbury Park story. A team of dedicated artists, boasting an impeccable set of credentials, leave the big city to seek their fortune on a new and unfamiliar frontier — and find a home here in the fabled city by the sea. Taken under their wing by a supportive local arts community, they make friends, forge connections and work to establish Asbury Park's place as the true heart and soul of the Shore artscape.

Sounds inspiring, for sure — a pity it almost didn't happen in Asbury.

When Thomas Morrissey returned to Genesius Theatre Guild, the Manhattan-based stage company he founded in 1995, he and his fellow Genesius directors David Leidholdt and Stephen Bishop Seely made the rather daring decision to relocate the acclaimed troupe to a different city — one that could conceivably support the guild's innovative range of offerings, while offering in turn a more reasonable cost of doing business. The producing partners visited several locations on the West Coast, and researched dozens of others — including Paducah, Kentucky, a city that has lured a new generation of artists and entrepreneurs by renting vacant lofts for the price of one dollar a month.

"People kept mentioning Asbury Park to us," says Leidholdt, adding that "we had been here a couple of years ago and thought it wasn't quite ready yet."

Still, with an influx of artists and creative professionals finding friendly harbor here in recent years — people like Marjorie Conn, who relocated her Provincetown Fringe Festival lock-stock-and-name to Asbury Park — the prospect of setting up in such a manageably sized, conveniently located, artistically attuned place was ultimately too much to resist. Following Morrissey to town, Leidholdt and Seely rented a house and began to take a good look at their company's mission in this new locale.

With Tom, David and Stephen sharing the title of Producing Artistic Director, the principals took on Shore-based, Tony-nominated actor Lou Liberatore (who had worked with Morrissey at Circle Repertory Company) as their Literary Director — and, in what was perhaps their boldest move to date, decided to retire the Genesius name in favor of a new identity.

"We thought of things like Three Guys in a Theater, Three's Company," says Seely, a prolific actor and director who worked on the musicals "Tarzan" and "On the Record" during his tenure at Disney Theatrical Productions.

According to Leidholdt, a veteran freelance director and co-founder of the New York Musical Theatre Festival, "We settled upon ReVision, since this was going to be sort of a re-visioning of what we'd done before."

The partners officially opened for business late last year, moved to join such organizations as the Monmouth County Arts Council, ARTSCAP, and the local Chamber of Commerce, and applied for New Jersey non-profit status. They even set up temporary headquarters at Asbury Park's VFW building; where they've conducted workshops, classes and auditions. All that's been missing is a performance space to call their own.

Enter Mattison Park, the downtown martini lounge and restaurant whose owners "asked if we could recommend or supply an act," recalls Leidholdt. Taking the request and running with it, ReVision assembled what's slated to be the first East Coast staging of a buzzworthy new musical bio on one of the most iconic ladies of the silver screen — just in time for the gay pride celebration.

Presented for a single performance this Sunday, "Daydreaming: Channeling Doris Day" presents Broadway actress Kathy Morath (who co-scripted with director Dennis Bailey) as a successful but troubled businesswoman who "finds she has to channel Doris Day to get through the day."
It's a "musical journey" framework for a score of songs made famous by the wholesome golden goddess of Hollywood, including "Que Sera, Sera," "Secret Love" and the title tune.

Actor-accompanist Christopher Stephens co-stars in the 5 p.m. program, for which tickets are available at $10 each, and seating can be reserved by calling (732) 455-3059 or visiting www.ReVisionTheatre.org.

Asbury’s ReVision:

How a theatre company will garner national applause for the triCity region

By Steven Froias
Tri-City News
May 29, 2008

ASBURY PARK – Regular readers of this newspaper may be forgiven if they feel that our editorial coverage sometimes borders on hyperbole if not down right hyperventilation. Hey – we admit that our zeal to uncover the promise and possibility of the triCity area sometimes gives us the vapors.

This isn’t one of those times, however. Rather, with the ReVision Theatre Company, we’re bringing you the real deal, straight up. Because the vision – or ReVision, if you will – of this group has the potential to garner for itself, Asbury and the triCity region the sort of national attention all three deserve.

ReVision Theatre has set up shop in Asbury Park, with offices in the VFW Post 1333 building (which is becoming an arts haven under Lou Parisi, commander).

The creative brain trust behind the ReVision Theatres consists of David E. Leidholt, Thomas Morrissey, and Stephen Bishop Seely, its Producing Artistic Directors. Lou Liberatore is its Literary Director. They’re joined by other members of their Board of Directors in launching this impressive endeavor in Asbury Park.

Here’s how they came to be here, in a proverbial nutshell. Thomas Morrissey founded the Genesius Theatre Guild in New York City in 1995. For ten years he served as its Artistic Director, gathering much acclaim in the role before deciding to take a break and cast himself in another. When he decided a comeback to Genesius was in the stars, the timing was fortuitous; the folks he had given the keys to were ready to move on.

As was Genesius – now with the surname Theatre Group. Morrissey sized up the landscape in New York, evaluated it through refreshed eyes, and decided it was time to hit the road – this time with company in tow rather than solo.

The bottom line aspect of theatrical production has been shifting for some time. That movement is largely leading out of the city and toward regional theatre groups like the Barrington Stage Company in the Massachusetts Berkshires, which work shopped and developed the Tony award-winning “The 25th Annual Putnam County Spelling Bee” before it ended up on Broadway. The prohibitive cost of nurturing new theatre in a gentrified New York is largely the cause.
The effect is the ReVision Theatre in Asbury Park, the re-branded Genesius. Its significance to the city – and the triCity region – could be profound.

ReVision plans to be a regional theatrical resource, just like the Barrington Stage Company. A breeding ground for developing new shows, plays, talent, ideas, you name it. It’s the cultural equivalent of nationally recognized, great architecture on the waterfront, or even Asbury’s historic role in the music industry. This is exciting, heady stuff.

And the people behind ReVision have the professional credentials and chops to pull it off. Their list of accomplishments could fill this issue, so instead we’d rather direct you to the ReVision website (http://www.revisiontheatre.org/) where you’ll find a page dedicated to their bios. They will be operating as a professional regional theatre under Equity (Actor’s Equity Association, the union for professional actors and stage managers) and SSDC (Society of Stage Directors & Choreographers union) contracts. They will also be utilizing and contracting professional musicians, non-union professionals, interns and volunteers. They’re a non-profit 501(c)3 organization and are registered with both the NJ & NY Charities Registration Bureaus.
But forget about the technical and legal jargon. What most impressed us about the four men we met listed above last week, at their office in the VFW Building of Lake Avenue, was their enthusiasm, and urban as well as urbane attitudes.

Let’s be clear – this isn’t a gang on New Yorkers dropping down sixty miles to impose some sort of creative fiat on the triCities. Hardly.

Rather, they carefully searched and researched their move to Asbury and chose their new home based on what the region has to offer. Think about that.

This is a company of first rate theatre professionals with national, industry-wide reputations impressed by what they saw and excited by the opportunity to plant roots, harness the artistic vibe they sense and make some hay here. For Asbury, and the triCity region, it’s an opportunity to claim ownership of an organization that could bring national cultural attention to the area. It’s a win-win for everybody.

The diversity within and without Asbury makes the area appealing to ReVision, and is what will help fuel the company’s artistic destiny. Part of the new theatrical paradigm means finding and tailoring plays and performances to specific audiences, with an emphasis on outreach to the young, the hip, and the hip-hop. ReVision wants to embrace them all. Indeed, they’ll be looking to Asbury and the triCities for inspiration and guidance.

The guys told us that they very much want the city to “take ownership” of ReVision Theatre. In essence, that means participating in their workshops (they have writing, acting and script-reading events scheduled; see the website for a complete list), supporting them financially and, of course, attending their productions.

They’ve spent some time preparing the stage, as it were, and are now ready to fill the seats. On Sunday, June 1st, they’ll be presenting a touring production of “Daydreaming: Channeling Doris Day” at Mattison Park. (Ticket and reservation info follows the story.)

And on Saturday, June 14th they’ll be producing a very special version of “Hello, Dolly”, with Richard Skipper as Carol Channing, at the Paramount Theatre as a fundraiser. (Again, info follows.)

So – what’s up with a new kind of theatre company doing “Hello, Dolly” as an introduction?
Leidholt belted out a laugh at that one, but then quickly explained that it’s done with a twist, as befits an outfit call ReVision. He was quickly baked up be the entire group with a chorus of clarification that, yes, the company will be on the edge at times, and yes, it’ll be dynamic and creative, but also every now and then they have to sell some tickets. That means some musicals.
As stated above, these guys are professionals; they know they have to turn a buck. And hey – what’s not to like about Dolly Levi? (Or Carol Channing for that matter.)

Immediately after saying “Hello,” ReVision will plunge into getting their next production ready. This will be one that serves to define they’re creative aspirations, as it will be a debut musical, developed from submission they’ve solicited and want to workshop. It’s scheduled for August and we’ll bring you more about it when we get the details.

Because reporting on ReVision Theatre is something we plan on turning into a long running production, it’s always been our contention that in order to be a great city, Asbury Park should act like a great city.

ReVision is just the stage to play upon.

Ticket and Show Information:

Daydreaming: Channeling Doris Day, a new musical starring Kathy Morath and Christopher Stephens at Mattison park Martini Lounge & Restaurant, 649 Mattison Avenue, Asbury Park, Sunday June 1 at 5pm. Tickets are $10, seating limited. Call 732 – 455 – 5039 or log onto http://www.revision.org/. Synopsis: Flash back to the “50’s” when Doris Day was one of the biggest names in show business. Kitsch is alive and well and has never been so much fun than at the east coast premiere of this intimate new musical directed by Broadway’s Dennis Bailey. The show is a rollicking musical journey through a roadmap of songs made popular by Doris Day. The musical features many Day songs including Daydreaming, I’ll Never Stop Loving You, I Gotta Sing Away These Blues, Someone Like You, Away the Wind Blows, Secret Love, and the Oscar winning song Que Sera, Sera (Whatever Will Be Will Be).

Richard Skipper as Carol Channing in Hello, Dolly! a one night only benefit performance for ReVision Theatre at the paramount Theatre, Saturday, June 14 8 p.m. Tickets are $50, $25, and $15. Call 732 – 455 – 5039 or log onto http://www.revision.org/. Synopsis: The show, you know. Let’s introduce you to Richard Skipper. He’s made impersonating Carol Channing an art form, winning numerous NYC cabaret performance awards in the process. His sell-out performances attract Senators (Lautenberg), gossip columnists, and even Ms. Channing herself.

New City Theater Company Hosting Open House Feb. 23

By TOM CARDINALE
The Coaster
Thursday, February 14, 2008 at 11:55 am

A new theater company in Asbury Park is offering performers of all age and skill levels the chance to learn from respected, experienced, award winning actors and instructors. The ReVision Theatre Company is the newest brainchild of Tom Morrissey, the founder of the Genesius Theatre Guild in New York City and a former professor at the American Musical and Dramatic Academy, Wagner College, and New York University.

Morrissey, who now splits his time living in New York City and Asbury Park, said the creation of the ReVision Theatre Company is the culmination of years of effort.

“We are in the process of starting the new theatre company in Asbury Park,” he said. “We wanted to find a place outside of New York where we could spread out. We spent two years looking for a place.”

Morrissey, along with fellow instructors David Leidholdt, Stephen Bishop Seely, and Lou Liberatore, will offer classes for children and adults of all skill levels at the VFW Hall on Lake Avenue in Asbury Park starting in March and Morrissey said every aspiring actor is sure to find something they can enjoy.

“Beginners are definitely welcome, it’s one of the things that’s great about the classes. It would be useful to people with experience or without,” he said.

Morrissey said the classes for middle and high school students will work on a musical and culminate with the performance of the play entirely by the students. The younger students will work on improvising fairy tales and other things they’re familiar with, Morrissey said, and then finish by creating their own show.

Morrissey said some highlights of the adult classes include a cabaret class which focuses on cabaret style songs as well as a comedy class that will include stand-up and improv.

The classes will run for eight to 10 weeks and tuition ranges from $150 to $200, Morrissey said. All the courses will be taught by Morrissey and his fellow instructors, who have extensive theatre experience.

Leidholdt has been a director and producer in New York City for over 14 years while Seely holds an MFA in acting from Michigan State University and has appeared in stage productions, television shows, and films. Liberatore has been an actor for over 25 years and was nominated for a Tony Award for his performance in “Burn This” alongside Joan Allen and John Malkovich.
He is also the founder of Asbury Park’s Jersey Shore Writer’s Studio and the Arts Coalition of Asbury Park.

A free open house will be held on Sat., Feb. 23 at 4 p.m. for anyone interested in classes or other upcoming events. The open house will be held at the VFW hall.

ReVision Theatre Company is a 501(c)3 non-profit organization. For more information or to register for classes visit their Web site at http://www.revisiontheatre.org/ or call 732-775-0635.