"Full Monty' moves from Buffalo to boardwalk

ReVision takes strip musical from Buffalo to boardwalk

By TOM CHESEK, APP CORRESPONDENT
August 15, 2009
  
For the better part of a week, the old place was positively humming with industry. Carpenters, electricians and painters jostled for room to do their thing, while a once-neglected site creaked back to new and purposeful life under the midsummer sun.

So where was this? Certainly not in the Buffalo neighborhoods of "The Full Monty," the musical adapted and Americanized (by Tony winning playwright Terrence McNally) from the Oscar-nominated British comedy film of the same name. In the script's rustbelt world of silenced steel mills and emasculated husbands, a group of unemployed blue-collar joes, depressed over their lack of prospects and the loss of their status as the family breadwinners, regain their self-worth and cement their bonds of friendship when they go into business as a take-it-all-off male stripper act.

All that activity has actually been going on inside the historic Carousel building, just off the south end of the Asbury Park boardwalk. For the second time in as many summers, the ornate roundhouse structure with the spectacular whorls, arches and screaming siren faces has been refitted — re-visioned, if you will — as a performance space for live theater, with the opening weekend of a new and possibly unique revival of "Monty" that's being presented by the city's resident professional stage troupe, ReVision Theatre Company.

As they did with last year's successful production of "Hair: The American Tribal Love-Rock Musical," the ReVision crew has been working with boardwalk developers Madison Marquette to install a state-of-the-art lighting grid, sound system, and an array of seating risers. New in 2009 are waterproofing (and pigeonproofing) improvements to the domed ceiling, and a T-shaped "mini proscenium with thrust" that replaces the in-the-round design employed by "Hair."

All the same, the act of taking in a performance at this truly unique landmark remains an engagingly "frontier" theatrical experience — and, as ReVision's David Leidholdt tells it, the 2000 musical is a "deceptively complicated, conceptual show" that adapts itself well to different staging ideas ("not a lot of costume changes," for one thing).

"As the show's director, I get to brainstorm all sorts of ways to address the challenges and problems," says Leidholdt, one of the three Producing Artistic Directors at ReVision (Thomas Morrissey and Stephen Bishop Seely are the others). "As a producer, I get to tell the director no, we can't afford that!"

Lacking a big budget for special effects, Leidholdt worked with musical director Andy Hertz and choreographer Connor Gallagher to "heighten the musical numbers as much as we can; bump that aspect up a bit."
Although at first glance the selection of "Monty" as the company's summer musical shares with its predecessor a willingness to "Let It Go" in the clothing-optional sense, the ReVision producers would appear to have lucked into (if luck is really the proper word here) the fortuitous downward spiral of the national economy; a backstory that 
puts a hypercurrent edge on the plight of the characters.

"The show is timely and fresh that way," observes Leidholdt, whose own working-class family roots in hard-hit Michigan have lent a personal angle to his approach. "It really deals with these issues of unemployment and depression."

Starring here as the sextet of local guys who vow to beat the Chippendales at their own game are Scott Gutherie (Jerry), Adam Kern (Dave), Mark Weekes (Horse), Andy R. Jobe (Malcolm), Jonathan Gregg (Ethan) and Mark Gerard (Harold). Also in the cast are Broadway vet Jane Strauss as the boys' accompanist, plus returning ReVisionists Katherine Pecovich, Deidra Grace, Judah Gavra and Spiro Galiatsatos — with the company's board president Bob Angelini being persuaded to resume his own acting career in a supporting role. Two young actors from Rumson, Andrew Newsome and Jake Cameron (who appeared in the Two River production of "Macbeth") platoon in the role of Jerry's son Nathan.

Opening tonight and continuing through Sept. 6, "The Full Monty" presents performances at 8 p.m. on Wednesdays, Thursdays, Fridays and Saturdays; 7 p.m. on Sundays. Tickets ($35 and $50) can be reserved by calling 732-455-3059 or visiting www.ReVisionTheatre.org.

Additional Facts THE FULL MONTY By Terrence McNally and David Yazbek Carousel building, 700 Ocean Ave., Asbury Park 8 p.m. today; 7 p.m. Sunday; then Wednesdays through Sundays through September $35-$50 732-455-3059 or www.ReVisionTheatre.org